MK Sound at the Movies...

Lost with MK Sound

In Home Theater magazine, March 2007, the sound crew of US cult favorite TV show and global phenomenon Lost, supervising sound editor Tom de Gorter and re-recording mixers Frank Morrone and Scott Weber discuss sound design for a unique series that combines edgy drama and off-the-wall science fiction.
Episodes are shot on location in Hawaii, but editing and mixing take place at Buena Vista Sound at Disney Studios in Burbank, California.
Unlike most conventional TV fare where background music consists of the same recycled cues week after week, an original score is composed for every episode of Lost and recorded with an orchestra in live sessions with 40 string players. For a typical episode, there can be 60 dialogue tracks; 12 tracks for music, and 140 or more effects tracks.

 

 

And how does the sound crew stay on top of all that?
“For the most part, we use a home theater–type 5.1 system with THX-approved MK S-150 speakers and the MX-350 subwoofer. It’s the same system Skywalker, Sony, Warner, and, of course, Disney use.”
The show’s sound has been honored with Emmy nominations and won awards from the Motion Picture Sound Editors Guild.

Emmy Nominations
Outstanding Sound Editing for a Series 2007
Outstanding Single-Camera Sound Mixing for a Series 2006
Outstanding Sound Editing for a Series 2005
Outstanding Single-Camera Sound Mixing for a Series 2005
  Motion Picture Sound Editors Guild Award Winner
Best Sound Editing in Sound Effects and Foley for Television - Short Form 2007
Best Sound Editing in Television Short Form – Dialogue and ADR 2005
Best Sound Editing in Television Short Form – Sound Effects and Foley 2005

Award Winning MK Cinema Sound

The following films all have at least two things in common:

1. They all won Academy Awards for sound.
2. They were all made using MK speakers for sound design.

2006 - King Kong
(Best Sound Mix + Best Sound Editing)

2004 - The Incredibles
(Best Sound Editing)

2003 - Lord of the Rings: Return of the King
(Best Sound Mix)

2002 – Chicago
(Best Sound Mix)

2002 – Lord of the Rings: The Two Towers
(Best Sound Editing)

2001 – Black Hawk Down
(Best Sound Mix)

2001 – Pearl Harbor
(Best Sound Editing)